I walk down Courtenay Place, and I can see everything. The contrast of colours and tones in the buildings and street markings; the garish, desperate shop window displays; and the sun bursting intermittently through muted gray clouds; all are sharp edges and clear spectra. Colours are saturated and vibrant; the movements of vehicles and people seem precise and certain. I am aware of every individual person ambling, charging, striding and waltzing along the pavement around me. Each one sticks out, unique, and I see all of them at the same time; all of them are in razor focus simultaneously.
I smell the diesel of passing busses and define it against the petrol of passing cars; I pick out the aroma of roasted and brewing espresso, and the fresh pulpy scent of new books in Whitcoulls. The whiff of baked pastry takes a seat on my tongue, contrasted against the must of wet leaves on wet concrete. The perfume of a woman strolling six meters away caresses my olfactory sense. I smell all of this simultaneously, and my brain hums and processes.
The fresh northerly breeze—the Wellington Kiss—chills my face and fingers as I hunch my shoulders under four layers of cotton and nylon. I swear I can perceive each molecule of air bounce off my skin as I walk along, dodging emo kids and manoeuvring around shoppers stuck inside their buying-bubbles, spending all their attention on what they’re about to spend all of their money on. The chill air cools my corneas, and I blink them warm again. My jeans rustle against my legs; my top rubs against my neck; and my tactile processing cortex extends itself confidently across all these sensations simultaneously.
I hear and understand every single sound around me. The conversation between the couple who walk in front of me; each vehicle in the traffic as it fits and starts; and the soft Kiss of the city whooshing quietly around my ears; each voice and noise is distinct and crystalline, and I hear it simultaneously.
Everything combines in a smooth synaesthesia of intimate awareness of this place, where I am here in time and space, right now. Everything is sharp with the awareness that after tomorrow, I may never see, hear, feel or taste this place again; that I may never walk along this busy street alongside all these people any more.
I am not sad. I am going to earnestly miss this place and these people—my people—and at the same time I am righteously happy about that. The knowledge that I will miss all these friends and family and strangers and places reminds me of how precious they are to me, and how much value I hold for them.
This is not a feeling like I want to hold on to this, like I’m trying to preserve all these senses like a snapshot in my mind and heart; this is a feeling like I am allowing this Time, this Moment, to permeate me and suffuse me and define me against it, even as it absorbs me into its throbbing, pulsing heart. The sensory input cannot overload me, because I allow it to flow through me from second to second. I pay all my attention in this present not to a moment in time, but to the passing of time and all these things through it.
The keen attention I am paying to Everything here reminds me of how much I love this place, and all of you. All of you whom I know to varying degrees of intimacy, and all of you in this city and this country whom I never have met, and never will; and yet who share this time and this place—this Motion and Movement—with me.
All of you.
Kiss kiss, Wellington.

Kiss Kiss, Wellington.